Charles Spencer Chaplin came to
America to explore new avenues for acting. But, the land of opportunity didn’t
extend a very warm welcome. He depicted this cold hearted gesture in his film
The Immigrant. It was at this juncture that John Edgar Hoover, the FBI chief,
intruded into the personal and professional life of Chaplin. Charlie Chaplin is
known for vociferously portraying social issues in his silent films. On the
other hand, Hoover had a strong dislike for him post a dinner party where
Chaplin mocked Hoover over his anti communist idiosyncrasies. Form that night
onwards Hoover wanted to bring Chaplin down to new lows where no individual had
ever been before, and that too, on a public forum. While Chaplin was delivering
classics after classics, incorporating issues like Capitalism, Great Depression
and the Holocaust, Hoover was adamant on labeling him as anti American and a
communist. Special agents were recruited to monitor Chaplin’s life on all
fronts. His telephone lines were taped and his movements were recorded. His
interactions, especially with women were under strict surveillance. Chaplin had
to suffer a lot of character assassination when he was falsely implicated into
taking legal custody of his alleged illegitimate daughter with an aspiring
actress Joan Barry. Chaplin was falsely tagged a communist and eventually
driven into exile with his wife Oona O’Neil. J. Edgar Hoover, on the other hand served as
the director of FBI for over 50 years.
Both Chaplin and Hoover are
colossal figures of their traits. They both are legends with their share of
followers. But, more significantly, both these individuals stand as symbols,
with Hoover as the oppressor and Chaplin as the indomitable artistic spirit.
The clash of their two ideologies is evident in everyday scenario where
oppressor tries to dictate terms while the rebels never give up. The notion of
who is good and who is bad, keeps on changing sides. Charlie Chaplin was an
unconquered soul while John Edgar Hoover was a patriotic tyrant. They both lie
within all individuals and whose side we cling on to, is our call for the
making. Chaplin’s lifetime achievement award, given to him in the very country
that out casted him is the proof of the fact that freedom always thrives over
suppression.